Manual
Catalogue
FOR USE
An artist’s first major catalogue is either an encyclopedic compilation of their works to date enriched with symbolic capital, i.e. more or less discrete allusions to prestigious museums, galleries, prizes and awards, stipends, curators and authors, or it is an artist’s book, that – extraordinarily airy-fairy and deliberately unclassifiable for a specialist audience – celebrates itself as an apparently self-satisfying work, and so is surreptitiously geared all the more hopefully to generating value on the art market.
A reputation-making gambit or noncompliance-chic – this book is neither of the above. It is the manual of an artist who has long reflected the mechanisms of art production and reception in his work. It is a friendly and openhearted invitation to viewers to permit themselves to be guided by a kind of instruction book through different, incompletely illustrated blocks of works and through a range of texts – polyphony instead of a monograph. […]
Andreas Schett, Manual, p.6, 2011