wounds and wonders

site-specific series of 40 drawings
[about magical solutions]

wounds and wonders, exhibition view, Melk Abbey, 2014

wounds and wonders, exhibition view, Melk Abbey, 2014

wounds and wonders, pigment print on paper, 140x120 cm, 2014, 1+1 AP

wounds and wonders, pigment print on paper, 140x120 cm, 2014, 1+1 AP

“This artwork is about the supernatural and magical power of book making - it wards off evil and brings good fortune. It refers to an 18th century breviary from the Melk Abbey and universal human needs, expressed through language and imagery.”

Moussa Kone

ink on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

wounds and wonders, pigment print on paper, 140x120 cm, 2014, 1+1 AP

wounds and wonders, pigment print on paper, 140x120 cm, 2014, 1+1 AP

ink/gouache on paper, 31.2 x 25 cm, 2014

ink/gouache on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

ink on paper, 31.2 x 25 cm, 2014

During the arts festival Points of Passage, contemporary art installations were shown at various spots at Melk Abbey. Wounds and wonders was placed directly at the exit from the famous church and exhibition tour. 500.000 visitors a year usually pass…

During the arts festival Points of Passage, contemporary art installations were shown at various spots at Melk Abbey. Wounds and wonders was placed directly at the exit from the famous church and exhibition tour. 500.000 visitors a year usually pass by.

wounds and wonders

This work was developed for the contemporary arts program Points of Passage at the baroque Melk Abbey in Austria. In 2014, ten artists, dancers and authors were invited to create special site-specific installations. They were shown across the whole area accessible to the visitors of the monastery, from the exhibition halls to the garden and the church.

Moussa Kone related his work to the Colman breviary which was handed out to pilgrims in Melk during the 18th century. According to popular belief at that time, the Christian booklet had the supernatural, magical power to protect its owner from bad fortune. Superstition can’t be tolerated, so the church finally stopped the production of the prints, but many staples of these magic papers survived in the abbey’s library.

In forty drawings, wounds and wonders revolves around the human body. It features many of the cruelties and tortures the so-called “Saint Colman” of the abbey had to endure according to his legend or the wonders that happened directly at the abbey. There, people worshipped his decomposing body and ended up with his bones in a baroque glass sarcophagus.

The depictions of his wounds and wonders and all the pain and pleasure “gives the print enough power to ward off evil again” (Kone). It should be noted, that Colman is only a so-called saint, because he never was officially canonized by the Vatican - what did not significantly affect his remains’ effectiveness. Also, he was not killed for his belief, rather his violent death was caused by a misunderstanding - a translation issue - what made him suspicious of being a spy.

Combined with blessings or sayings to ward off evil in Yorùbá language, wounds and wonders takes the form of a printed sheet. It builds a bridge to the origins of faith and the human yearning to experience the divine.

To Kone’s surprise, during the exhibition Points of Passage, the Melk Abbey decided to print the artwork as a real book. The drawings in form of a “printed sheet mimicking a book production” became a real printed booklet, which can now be picked up at the Melk Abbey’s shop. It was published on the holiday of “Saint Colman” 2014 and distributed to the pilgrims.

Previous
Previous

true lies

Next
Next

chelsea smiles